{"id":1734,"date":"2025-03-19T05:08:26","date_gmt":"2025-03-19T02:08:26","guid":{"rendered":"https:\/\/www.nbilgi.net\/?p=1734"},"modified":"2025-03-19T05:08:54","modified_gmt":"2025-03-19T02:08:54","slug":"yedi-mesaleciler-ozellikleri-temsilcileri","status":"publish","type":"post","link":"https:\/\/buradasin.com.tr\/kutuphane\/yedi-mesaleciler-ozellikleri-temsilcileri\/","title":{"rendered":"Yedi Me\u015faleciler \u00d6zellikleri | Temsilcileri"},"content":{"rendered":"

Yedi Me\u015falecilerin \u00f6zellikleri nelerdir? Yedi Me\u015faleciler kimlerdir? Yedi Me\u015faleciler kimlerdir? Yedi Me\u015faleciler sanat\u00e7\u0131lar\u0131 ve eserleri.<\/em><\/strong><\/p>\n

<\/span>YED\u0130 ME\u015eALEC\u0130LER<\/strong><\/span><\/h3>\n

Temel ilkelerini \u015fu s\u00f6zc\u00fcklerle belirlediler: \u201cCanl\u0131l\u0131k, i\u00e7tenlik, s\u00fcrekli yenilik\u201d 1928 y\u0131l\u0131nda Sabri Esat (Siyavu\u015fgil), Cevdet Kudret Solok, Ya\u015far Nabi Nay\u0131r, Muammer L\u00fctfi, Kenan Hulusi Koray, Vasfi Mahir Kocat\u00fcrk ve Ziya Osman Saba\u2019dan olu\u015fan bir gen\u00e7 sanat\u00e7\u0131lar toplulu\u011fu \u201cYedi Me\u015fale\u201d adl\u0131 ve be\u015f ay s\u00fcren bir dergi \u00e7\u0131kard\u0131lar.<\/p>\n

Edebiyat\u0131m\u0131zda \u201cYedi Me\u015faleciler\u201d olarak tan\u0131nan bu sanat\u00e7\u0131lar, olduk\u00e7a yal\u0131n duruma gelmi\u015f olan sanat dili ve hece \u00f6l\u00e7\u00fcs\u00fcyle \u015fiirler yazm\u0131\u015flard\u0131r. \u0130lklerini canl\u0131l\u0131k \u2013 istemlik \u2013 s\u00fcrekli \u2013 yenilik diye belirlediler.<\/p>\n

Gerek Milli edebiyat\u00e7\u0131lardan ve Be\u015f Hececiler\u2019den farkl\u0131 bir sav ta\u015f\u0131mamalar\u0131 ve gerekse sanat yeteneklerinin g\u00fc\u00e7l\u00fc olmamalar\u0131 bak\u0131m\u0131ndan Yedi Me\u015faleciler, edebiyat\u0131m\u0131zda pek etkili olmu\u015f bir grup de\u011fildirler. Ziya Osman d\u0131\u015f\u0131nda di\u011fer sanat\u00e7\u0131lar\u0131n, gen\u00e7 ya\u015flar\u0131nda \u015fiiri b\u0131rakarak ba\u015fka alanlara y\u00f6nelmi\u015f olmalar\u0131 da bu kan\u0131y\u0131 do\u011frular. Sanatlar\u0131nda yer yer benzetmelere, sembollere rastlan\u0131rsa da bunlar ba\u015far\u0131l\u0131 olamayan \u00f6zentiyi a\u015fmayan d\u00fczeyde kalm\u0131\u015flard\u0131r.<\/p>\n

Edebiyat\u0131m\u0131za bir canl\u0131l\u0131k getirmek istiyorlard\u0131. Taklitten uzak, g\u00fczel bir T\u00fcrk\u00e7e ile yapmac\u0131k bir duyarl\u0131\u011fa d\u00fc\u015fmeden, sa\u011fl\u0131kl\u0131 ve hece \u00f6l\u00e7\u00fcs\u00fc ile s\u00f6ylenmi\u015f bir \u015fiir gelene\u011fi kurmak iddias\u0131ndayd\u0131lar. \u00d6nceleri gerek bu iddialar\u0131 ve gerekse yay\u0131mlanan \u00e7al\u0131\u015fmalar\u0131 edebiyat \u00e7evresinde ilgi ile kar\u015f\u0131land\u0131. Ne var ki, bu topluluk, daha \u00e7ok gen\u00e7lik hevesi ile yola \u00e7\u0131km\u0131\u015f, derli toplu bir \u00f6n haz\u0131rl\u0131klar\u0131 olmam\u0131\u015f ve en \u00f6nemlisi sanat\u0131 b\u0131rak\u0131p \u00e7abucak da\u011f\u0131lm\u0131\u015f olduklar\u0131 i\u00e7in edebiyat\u0131m\u0131zda etkili bir hareket olamam\u0131\u015ft\u0131r. Bununla birlikte bu toplulu\u011fun sanat\u00e7\u0131lar\u0131 say\u0131s\u0131 \u00e7ok az bile olsa \u00e7a\u011fda\u015flar\u0131ndan hi\u00e7 de geri olmayan baz\u0131 ba\u015far\u0131l\u0131 \u00f6rnekler de vermi\u015fler. Sabri Esat, renk ve resim g\u00f6r\u00fcnt\u00fclerinin a\u011f\u0131rl\u0131k ta\u015f\u0131d\u0131\u011f\u0131 bir s\u00f6yleyi\u015f ile Vasfi Mahir destans\u0131 bir anlat\u0131mla, Ya\u015far Nabi ba\u015far\u0131l\u0131 betimlemeleri ve sa\u011fl\u0131kl\u0131 bir romantizmle ortaya k\u00f6t\u00fc olmayan \u00f6rnekler koymu\u015flard\u0131r.<\/p>\n

Bu topluluktan, sonuna kadar \u015fiirden ayr\u0131lmayan sadece Ziya Osman olmu\u015ftur. \u015eiir alan\u0131nda en ba\u015far\u0131l\u0131 sanat\u00e7\u0131lar\u0131 da odur.<\/p>\n

CeZVeSi YaMuK<\/strong>\u00a0s\u00f6zc\u00fc\u011f\u00fcndeki b\u00fcy\u00fck harfler sanat\u00e7\u0131lar\u0131 ak\u0131lda tutmay\u0131 sa\u011flayabilir.<\/p>\n

<\/span>GENEL \u00d6ZELL\u0130KLER\u0130<\/strong><\/span><\/h3>\n
    \n
  • Cumhuriyet D\u00f6neminin ilk edeb\u00ee toplulu\u011fudur. Bir araya gelmelerini ve birlikte yazmalar\u0131n\u0131 memlekette meydana gelen son edeb\u00ee ak\u0131mlar\u0131 g\u00f6sterecek toplu bir eser haz\u0131rlamak \u015feklinde a\u00e7\u0131klam\u0131\u015flard\u0131r.<\/li>\n
  • Canl\u0131l\u0131k, i\u00e7tenlik (samimiyet), s\u00fcrekli yenilik (dinamizm)\u201d parolas\u0131n\u0131 esas alm\u0131\u015flard\u0131r.<\/li>\n
  • \u201cSanat sanat i\u00e7indir.\u201d d\u00fc\u015f\u00fcncesini benimsemi\u015flerdir.<\/li>\n
  • Be\u015f Hececiler\u2019e tepki olarak \u00e7\u0131km\u0131\u015flard\u0131r.<\/li>\n
  • \u015eiirin sadece duygular\u0131 dile getirmesi gerekti\u011fini, herhangi bir fikir ve ideolojiyi a\u00e7\u0131klama ya da savunma kayg\u0131s\u0131 ta\u015f\u0131mamas\u0131 gerekti\u011fini dile getirmi\u015flerdir.<\/li>\n
  • \u015eiirin konusunun geni\u015fletilerek \u201cd\u00fcn\u00fcn m\u0131zm\u0131z soluk hislerinin ve Ay\u015fe, Fatma terenn\u00fcmlerinin\u201d terk edilmesi gerekti\u011fini dile getirmi\u015flerdir.<\/li>\n
  • Frans\u0131z edebiyat\u0131n\u0131 \u00f6rnek alm\u0131\u015flar ve parnasizm ak\u0131m\u0131ndan etkilenmi\u015flerdir.<\/li>\n
  • Yazd\u0131klar\u0131 \u015fiirlerle Servet-i F\u00fcn\u00fbn ve Fecr-i \u00c2ti sanat anlay\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015flerdir.<\/li>\n
  • Bir ressam f\u0131r\u00e7as\u0131ndan \u00e7\u0131km\u0131\u015f gibi g\u00f6zleme dayal\u0131 eserler olu\u015fturmu\u015flard\u0131r.<\/li>\n
  • Geli\u015ftirmeyi d\u00fc\u015f\u00fcnd\u00fckleri hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanm\u0131\u015flard\u0131r.<\/li>\n
  • Gen\u00e7lik hevesiyle ba\u015flad\u0131klar\u0131 sanattaki ama\u00e7lar\u0131na ula\u015famam\u0131\u015flar ve k\u0131sa soluklu bir yank\u0131 uyand\u0131rm\u0131\u015flard\u0131r.<\/li>\n<\/ul>\n

    <\/span>TEMS\u0130LC\u0130LER\u0130<\/strong><\/span><\/h3>\n

    Cevdet Kudret Solok, Vasf\u0131 Mahir Kocat\u00fcrk, Ziya Osman Saba, Ya\u015far Nabi Nay\u0131r, Muammer L\u00fctfi Bah\u015fi, Sabri Esat Siyavu\u015fgil, Kenan Hulusi Koray<\/p>\n

    CEVDET KUDRET SOLOK (1907-1992)<\/strong><\/p>\n

    1907\u2019de \u0130stanbul\u2019da do\u011fdu. Musul Sava\u015f\u0131\u2019na kat\u0131lan babas\u0131n\u0131 k\u00fc\u00e7\u00fck ya\u015ftayken kaybetti. \u0130stanbul Hukuk Fak\u00fcltesini bitirdi. Ankara, \u0130stanbul, Bitlis ve Kayseri\u2019de \u00f6\u011fretmenlik, Bas\u0131n Y\u00fcksek Okulunda \u00f6\u011fretim g\u00f6revlili\u011fi, \u0130stanbul ve Ankara\u2019da da k\u0131sa bir s\u00fcre avukatl\u0131k yapt\u0131. 1974-1986 y\u0131llar\u0131 aras\u0131nda Bodrum\u2019da ya\u015fayan sanat\u00e7\u0131 1992\u2019de\u0130stanbul\u2019da \u00f6ld\u00fc.<\/p>\n

    EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

      \n
    • Yaz\u0131n hayat\u0131na Servet-i F\u00fcn\u00fbn\u2019da ba\u015flayan sanat\u00e7\u0131 Yedi Me\u015faleciler aras\u0131nda yerini ald\u0131.<\/li>\n
    • Hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131\u011f\u0131 ilk \u015fiirlerinde bireysel temalar\u0131 \u00f6zg\u00fcn ve karamsar bir tutumla i\u015fledi. Sonraki \u015fiirlerinde kafiyeden serbest tarzda \u015fiirler yazd\u0131. Ya\u015fant\u0131s\u0131ndan da izler bulabilece\u011fimiz I. ve II. D\u00fcnya Sava\u015flar\u0131 aras\u0131ndaki T\u00fcrk toplumundan kesitler i\u015fledi.<\/li>\n
    • \u0130nsanlar\u0131n psikolojik saplant\u0131lar\u0131n\u0131 tiyatrolar\u0131nda \u0130\u015fledi.<\/li>\n
    • Ara\u015ft\u0131rma, inceleme, edebiyat tarihi (\u00f6zellikle T\u00fcrk tiyatrosu \u00fczerine) ve ders kitaplar\u0131 da yazd\u0131.<\/li>\n<\/ul>\n

      ESERLER\u0130<\/strong><\/p>\n

      Tiyatro:<\/strong>\u00a0Tersine Akan Nehir, R\u00fcya i\u00e7inde R\u00fcya, Kurtlar, Danyal ve Sara, Ya\u015fayan<\/p>\n

      Roman:<\/strong>\u00a0S\u00fcleyman\u2019\u0131n D\u00fcnyas\u0131 (S\u0131n\u0131f Arkada\u015flar\u0131), Havada Bulut Yok, Kar\u0131ncay\u0131 Tan\u0131rs\u0131n\u0131z<\/p>\n

      Hikk\u00e2ye:<\/strong>\u00a0Sokak<\/p>\n

      Deneme-Tart\u0131\u015fma:<\/strong>\u00a0Dilleri Var Bizim Dile Benzemez, Benim O\u011flum Bina Okur, Kalemin Ucu, Bir Bak\u0131ma<\/p>\n

      VASF\u0130 MAH\u0130R KOCAT\u00dcRK (1907-1961)<\/strong><\/p>\n

      1907\u2019de G\u00fcm\u00fc\u015fhane\u2019de do\u011fdu. I. D\u00fcnya Sava\u015f\u0131\u2019nda babas\u0131n\u0131 yitirdi. Ailesiyle \u0130stanbul\u2019a gitti. Dar\u00fc\u015f\u015fafaka Lisesi ve M\u00fclkiye Mektebinde okudu. \u00c7e\u015fitli \u015fehirlerde \u00f6\u011fretmenlik, m\u00fcd\u00fcrl\u00fck, m\u00fcfetti\u015flik yapt\u0131. 1950\u2019de G\u00fcm\u00fc\u015fhane milletvekili se\u00e7ildi. Gazi E\u011fitim Enstit\u00fcs\u00fcnde derslere girdi. Ge\u00e7irdi\u011fi bir kalp krizi sonucunda 1961\u2019de Ankara\u2019da \u00f6ld\u00fc.<\/p>\n

      EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

        \n
      • Halk edebiyat\u0131 naz\u0131m \u015fekillerini kullanarak epik, lirik ve pastoral \u015fiirler yazd\u0131.<\/li>\n
      • Hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanarak k\u0131r ya\u015fam\u0131, yurt g\u00fczellikleri, memleket sevgisi kahramanl\u0131k temalar\u0131n\u0131 i\u015fledi.<\/li>\n
      • \u015eiir haricinde manzum tiyatrolar, \u00e7ocuklar i\u00e7in hik\u00e2yeler ve antolojiler haz\u0131rlad\u0131.<\/li>\n<\/ul>\n

        ESERLER\u0130<\/strong><\/p>\n

        \u015eiir<\/strong><\/p>\n

        Da\u011flar\u0131n Derdi, Tun\u00e7 Sesleri, Bizim T\u00fcrk\u00fcler, Hayat \u015eark\u0131lar\u0131, Ergenekon, Ge\u00e7mi\u015f Geceler<\/p>\n

        Tiyatro<\/strong><\/p>\n

        Yaman, Sanatk\u00e2r, On \u0130nk\u0131l\u00e2p<\/p>\n

        MUAMMER L\u00dcTF\u0130 BAH\u015e\u0130 (1903-1947)<\/strong><\/p>\n

        1903\u2019te \u00dcsk\u00fcp\u2019te do\u011fdu. Ortaokul ve Liseyi \u00d6demi\u015f\u2019te okudu. \u0130stanbul\u2019da \u0130lahiyat Fak\u00fcltesini ve Hukuk Fak\u00fcltesini bitirdi. Yurdun \u00e7e\u015fitli yerlerinde h\u00e2kimlik yapt\u0131. S\u00fcrekli \u015fehir de\u011fi\u015ftirmek zorunda kald\u0131\u011f\u0131 i\u00e7in h\u00e2kimlikten istifa ederek \u00f6mr\u00fcn\u00fcn sonuna kadar \u00d6demi\u015f\u2019te avukatl\u0131k yapt\u0131. 1947\u2019de \u0130zmir\u2019de \u00f6ld\u00fc.<\/p>\n

        EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

          \n
        • \u015eiirlerinde s\u0131ras\u0131yla aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc, hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc ve serbest nazm\u0131 kulland\u0131.<\/li>\n
        • Yedi Me\u015faleciler toplulu\u011fu i\u00e7erisinde en az tan\u0131nan \u015fairdir.<\/li>\n
        • \u015eiirlerinde milli konular\u0131 i\u015fledi.<\/li>\n<\/ul>\n

          ESERLER\u0130<\/strong><\/p>\n

          \u015eiir yazm\u0131\u015f ama \u015fiirlerini kitapla\u015ft\u0131rmam\u0131\u015ft\u0131r.<\/p>\n

          Z\u0130YA OSMAN SABA(1910-1957)<\/strong><\/p>\n

          1910\u2019da \u0130stanbul\u2019da do\u011fdu. Sekiz ya\u015f\u0131nda annesini yitirmesi eserlerindeki h\u00fczn\u00fcn sebebi oldu. 1927\u2019de Galatasaray Lisesinde okurken \u015fiirlerini Servet-i F\u00fcn\u00fbn dergisinde Ziya ismiyle yay\u0131mlad\u0131. S\u0131n\u0131f tekrar\u0131 yapmas\u0131 Cahit S\u0131tk\u0131\u2019yla uzun y\u0131llar s\u00fcrecek dostluklar\u0131n\u0131n da ba\u015flamas\u0131na vesile oldu. 1928\u2019de Yedi Me\u015fale toplulu\u011funa kat\u0131ld\u0131. 1931\u2019de de Galatasaray Lisesinden mezun oldu. Milliyet, \u0130\u00e7tihat, Ata\u00e7, Y\u00fccel ve Varl\u0131k dergilerinde yaz\u0131lar\u0131 yay\u0131mland\u0131. Liseyi bitirdi\u011fi sene sinir hastas\u0131 kuzeniyle evlendi ve bu mutsuz evlili\u011fi on iki y\u0131l s\u00fcrd\u00fcrebildi. \u0130stanbul \u00dcniversitesinde hukuk e\u011fitimi ald\u0131. Cumhuriyet gazetecinde, Emlak ve Eytam Bankas\u0131nda \u00e7al\u0131\u015ft\u0131. 1957\u2019de de kalp krizi ge\u00e7irdi ve \u0130stanbul\u2019da \u00f6ld\u00fc.<\/p>\n

          EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

            \n
          • Yedi Me\u015fale toplulu\u011fu da\u011f\u0131lsa dahi toplulu\u011fun \u015fiir anlay\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcren tek sanat\u00e7\u0131d\u0131r.<\/li>\n
          • Bat\u0131l\u0131 naz\u0131m \u015fekilleri ve hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc ilk \u015fiirlerinde kullanm\u0131\u015f ancak 1940\u2019tan sonra serbest \u015fiire y\u00f6nelmi\u015ftir.<\/li>\n
          • Sade ve ak\u0131c\u0131 bir dili olan sanat\u00e7\u0131 lirik tarzda \u015fiirler yazm\u0131\u015ft\u0131r.<\/li>\n
          • \u015eiirlerinde h\u00fcz\u00fcn h\u00e2kim duygudur.<\/li>\n
          • \u0130\u00e7 d\u00fcnyas\u0131n\u0131 d\u0131\u015fa vuran sanat\u00e7\u0131, \u015fiirlerinde g\u00f6zlemden yararlanm\u0131\u015ft\u0131r.<\/li>\n
          • \u00d6l\u00fcm, kadere boyun e\u011fme, aile saadeti, yoksullara kar\u015f\u0131 duyulan \u00e7ocukluk ve gen\u00e7lik an\u0131lar\u0131 gibi temalar\u0131 \u015fiirlerinde i\u015flemi\u015ftir. Ayr\u0131ca insanlar\u0131n mutlu olmas\u0131n\u0131 arzulam\u0131\u015f ve bunu \u015fiirlerine yans\u0131tm\u0131\u015ft\u0131r.<\/li>\n
          • Hik\u00e2yelerinde genellikle kendi an\u0131lar\u0131na yer vermi\u015ftir.<\/li>\n<\/ul>\n

            ESERLER\u0130<\/strong><\/p>\n

            \u015eiir<\/strong><\/p>\n

            Sebil ve G\u00fcvercinler, Ge\u00e7en Zaman, Nefes Almak, Bir Yer D\u00fc\u015f\u00fcn\u00fcyorum, \u00c7ocuklu\u011fum, \u0130stanbul<\/p>\n

            Hik\u00e2ye<\/strong><\/p>\n

            Mesut \u0130nsanlar Foto\u011frafhanesi, De\u011fi\u015fen \u0130stanbul<\/p>\n

            YA\u015eAR NAB\u0130 NAYIR (1908-1981)<\/p>\n

            1908\u2019de \u00dcsk\u00fcp\u2019te do\u011fdu. Balkan Sava\u015flar\u0131 sebebiyle \u0130stanbul ve \u00dcsk\u00fcp aras\u0131nda ge\u00e7en bir \u00e7ocuklu\u011fu oldu. Galatasaray Lisesinde okudu. T\u00fcrk Dil Kurumunda, MEB Terc\u00fcme B\u00fcrosunda, Ziraat ve Merkez Bankalar\u0131nda memurluk yapt\u0131. H\u00e2kimiyet-i Milliye gazetesinde de \u00e7evirmenlik ve yazarl\u0131k yapt\u0131. 1933\u2019te 48 y\u0131l kesintisiz olarak \u00e7\u0131karaca\u011f\u0131 Varl\u0131k dergisini Ankara\u2019da kurdu. Dergi sayesinde edebiyat d\u00fcnyam\u0131za yeni yazarlar ve eserler kazand\u0131rd\u0131. \u0130ngilizce, poets (\u015fairler), playwrights (dramaturglar), essayists (denemeciler) ve novelists (romanc\u0131lar) kelimelerinin k\u0131salmas\u0131 olan Uluslararas\u0131 P.E.N Yazarlar Derne\u011fi\u2019nin T\u00fcrkiye Ba\u015fkanl\u0131\u011f\u0131n\u0131 hayat\u0131n\u0131n sonuna kadar y\u00fcr\u00fctt\u00fc. 1979\u2019da edebiyat\u0131m\u0131za yapm\u0131\u015f oldu\u011fu katk\u0131lardan dolay\u0131 B\u00fcy\u00fck \u00d6d\u00fcl verildi. 1981\u2019de \u0130stanbul\u2019da \u00f6ld\u00fc.<\/p>\n

            EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

              \n
            • Lise y\u0131llar\u0131nda \u00c7ocuk Dergisi\u2019nde \u015fiir yazmaya ba\u015flam\u0131\u015ft\u0131r. Serveti F\u00fcn\u00fbn, Yeni Hayat, Muhit, Hayat, \u00c7\u0131\u011f\u0131r, \u00dclk\u00fc dergilerinde yazmay\u0131 s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. Yedi Me\u015fale toplulu\u011funun kurucular\u0131 aras\u0131nda yer alm\u0131\u015ft\u0131r.<\/li>\n
            • Yaz\u0131n hayat\u0131na \u015fiirle ba\u015flayan sanat\u00e7\u0131, daha sonralar\u0131 \u015fiirden uzakla\u015farak farkl\u0131 t\u00fcrlerde eserler vermi\u015ftir.<\/li>\n
            • \u015eiirlerinde ac\u0131, mutluluk gibi insani duygular\u0131, sosyal ya\u015famdan insanlar\u0131 ve kendi ihtiraslar\u0131n\u0131 hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanarak i\u015fledi.<\/li>\n
            • Panait Istrati ve Balzac gibi bir\u00e7ok sanat\u00e7\u0131n\u0131n eserini \u00e7eviri yoluyla T\u00fcrk\u00e7eye kazand\u0131rd\u0131.<\/li>\n<\/ul>\n

              ESERLER\u0130<\/strong><\/p>\n

              \u015eiir:<\/strong>\u00a0Kahramanlar, Onar M\u0131sra<\/p>\n

              Roman:<\/strong>\u00a0Bir Kad\u0131n S\u00f6yl\u00fcyor, \u00c2dem ve Havva<\/p>\n

              Hik\u00e2ye:<\/strong>\u00a0Sevi \u00c7\u0131kmaz\u0131, Bu da Bir Hik\u00e2yedir<\/p>\n

              Tiyatro:<\/strong>\u00a0Radyofonik \u00d6yk\u00fcler, Mete, \u0130nk\u0131l\u00e2p \u00c7ocuklar\u0131, Be\u015f Devir, K\u00f6y\u00fcn Namusu<\/p>\n

              \u0130nceleme-Deneme:<\/strong>\u00a0Balkanlar ve T\u00fcrkl\u00fck, Edebiyat\u0131m\u0131z\u0131n Bug\u00fcnk\u00fc Meseleleri, Nereye Gidiyoruz, Y\u0131llar Boyunca, Atat\u00fcrk\u00e7\u00fcl\u00fck Nedir, Atat\u00fcrk Yolu, Edebiyat D\u00fcnyam\u0131z, De\u011fi\u015fen D\u00fcnyam\u0131z, \u00c7a\u011f\u0131m\u0131za Ters D\u00fc\u015fenler<\/p>\n

              SABR\u0130 ESAT S\u0130YAVU\u015eG\u00ceL (1907-1963)<\/strong><\/p>\n

              1907\u2019de \u0130stanbul\u2019da do\u011fdu. \u0130stanbul \u00dcniversitesinde hukuk e\u011fitimi ald\u0131\u011f\u0131 y\u0131llarda Fransa\u2019ya felsefe e\u011fitimi i\u00e7in g\u00f6nderildi. Gazi Terbiye Enstit\u00fcs\u00fcnde \u00e7al\u0131\u015ft\u0131ktan sonra \u0130stanbul \u00dcniversitesinde profes\u00f6r olarak derslere girdi. T\u00fcrkiye Psikoloji Derne\u011finin ba\u015fkanl\u0131\u011f\u0131n\u0131 yapt\u0131. 1963\u2019te \u0130stanbul\u2019da \u00f6ld\u00fc.<\/p>\n

              EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI<\/strong><\/p>\n

                \n
              • \u015eiirlerini yirmili ya\u015flar\u0131nda yazd\u0131 ve 1928\u2019de Yedi Me\u015faleciler\u2019e kat\u0131ld\u0131. Hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanarak d\u0131\u015fa vurumcu \u015fiirler kaleme ald\u0131. Sonralar\u0131 \u015fiir yazmay\u0131 b\u0131rakarak \u00e7eviriler yapt\u0131, \u00e7e\u015fitli gazetelerde ve dergilerde k\u00f6\u015fe yaz\u0131lar\u0131 yazd\u0131.<\/li>\n
              • Sabri Esat\u2019\u0131n en \u00f6nemli y\u00f6n\u00fcn\u00fc yapt\u0131\u011f\u0131 \u00e7eviriler olu\u015fturur. Rostand\u2019\u0131n Cyrano de Bergerac tiyatrosunu \u00e7evirmi\u015ftir. Frans\u0131z \u015fairlerin \u015fiirlerini T\u00fcrk\u00e7eye \u00e7eviren sanat\u00e7\u0131 ayn\u0131 zamanda Sait Faik\u2019in hik\u00e2yelerini de Frans\u0131zcaya \u00e7evirmi\u015ftir.<\/li>\n<\/ul>\n

                ESERLER\u0130<\/strong><\/p>\n

                \u015eiir:<\/strong>\u00a0Odalar ve Sofalar<\/p>\n

                \u0130nceleme:<\/strong>\u00a0\u0130stanbul\u2019da Karag\u00f6z ve Karag\u00f6z\u2019de \u0130stanbul, Karag\u00f6z, Folklor ve Mill\u00ee Hayat, Psikoloji ve Terbiye Bahisleri, Roman ve Okuyucu<\/p>\n

                \u00c7eviri:<\/strong>\u00a0iki Ba\u015fl\u0131 Kartal, Bilgi ve Hata, De\u011firmenden Mektuplar, Tiyatro ve Bizler, Madame Bovary<\/p>\n

                KENAN HULUS\u0130 KORAY (1906-1943)<\/strong><\/p>\n

                1906\u2019da \u0130stanbul\u2019da do\u011fdu. \u0130stanbul \u00dcniversitesinde edebiyat e\u011fitimi ald\u0131. Vakit gazetesinin yaz\u0131 i\u015fleri m\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131. Adapazar\u0131\u2019nda yedek subay olarak askerli\u011fini yaparken tif\u00fcse yakaland\u0131 ve 1943\u2019te \u00f6ld\u00fc.<\/p>\n

                EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 | SANAT ANLAYI\u015eI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

                  \n
                • Yedi Me\u015faleciler toplulu\u011funa \u015fiir yazmadan kat\u0131lm\u0131\u015f tek sanat\u00e7\u0131d\u0131r.<\/li>\n
                • Roman ve hik\u00e2ye yazm\u0131\u015ft\u0131r. \u0130lk hik\u00e2yelerini Servet-i F\u00fcn\u00fbn (Uyan\u0131\u015f) dergisinde yay\u0131mlanm\u0131\u015ft\u0131r.<\/li>\n
                • Cumhuriyet D\u00f6nemi\u2019nde korku t\u00fcr\u00fcnde hik\u00e2yeler yazan ilk ki\u015fidir.<\/li>\n
                • \u0130lk hik\u00e2yelerinde \u00d6mer Seyfettin, Ahmet Hamdi ve Sait Faik\u2019in \u00e7izgisinden giderek masals\u0131 \u00fcslupla hayali unsurlar\u0131 i\u015fledi. Daha sonralar\u0131 Sadri Ertem\u2019in etkisiyle ger\u00e7ek\u00e7i tarzda yazd\u0131.<\/li>\n<\/ul>\n

                  ESERLER\u0130<\/strong><\/p>\n

                  Hik\u00e2ye:<\/strong>\u00a0Bir Yudum Su, Bir Otelde Yedi Ki\u015fi, Bahar Hik\u00e2yeleri<\/p>\n

                  Uzun Hik\u00e2ye:\u00a0<\/strong>Son \u00d6p\u00fc\u015f, RBK Pansiyonu<\/p>\n

                  Roman:<\/strong>\u00a0Osmanoflar<\/p>\n

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