{"id":33107,"date":"2025-03-13T03:01:44","date_gmt":"2025-03-13T00:01:44","guid":{"rendered":"https:\/\/www.bilgisepeti.net\/?p=1389"},"modified":"2025-03-13T03:01:44","modified_gmt":"2025-03-13T00:01:44","slug":"ayasofya-camiinin-tarihi","status":"publish","type":"post","link":"https:\/\/buradasin.com.tr\/kutuphane\/ayasofya-camiinin-tarihi\/","title":{"rendered":"Ayasofya Camii’nin Tarihi"},"content":{"rendered":"

D\u00fcnyan\u0131n 8.harikalar\u0131ndan birisi say\u0131lan\u00a0Ayasofya<\/b>, Sanat Tarihi ve mimarl\u0131k d\u00fcnyas\u0131n\u0131n 1 numaral\u0131 yap\u0131s\u0131 h\u00fcviyetindedir. Bu ya\u015fta ve bu ebatta zaman\u0131m\u0131za gelebilmi\u015f ender eserlerdendir. Orijinal ad\u0131\u00a0Hagia Sofia<\/b>\u00a0olan, T\u00fcrklerin Ayasofya dedikleri yap\u0131 yanl\u0131\u015f bir \u015fekilde, Saint Sofia olarak bilinir. Bazilika, Sofia isimli bir azizeye de\u011fil, Kutsal Hikmet\u2019e ithaf edilmi\u015fti. \u00d6nceki bir pagan mabedinin yerinde yap\u0131lm\u0131\u015f 3 ayr\u0131 bazilika ayn\u0131 isimle anlat\u0131lm\u0131\u015ft\u0131. \u0130mparator B\u00fcy\u00fck Konstantin devrinde kilise yap\u0131lmad\u0131\u011f\u0131 halde, baz\u0131 kaynaklar, ilk Ayasofya Bazilikas\u0131n\u0131n onun taraf\u0131ndan yapt\u0131r\u0131ld\u0131\u011f\u0131n\u0131 iddia ede gelmi\u015ftir. K\u00fc\u00e7\u00fck \u00f6l\u00e7\u00fclerdeki ah\u015fap \u00e7at\u0131l\u0131 ilk yap\u0131 4. yy. ikinci yar\u0131s\u0131nda B\u00fcy\u00fck Konstantin\u2019in o\u011flu Konstantinus zaman\u0131nda yap\u0131lm\u0131\u015ft\u0131. 404 y\u0131l\u0131nda, bir isyan s\u0131ras\u0131nda yanan ilk yap\u0131n\u0131n yerine, daha b\u00fcy\u00fck \u00f6l\u00e7\u00fclerde in\u015fa edilen 2. kilise 415 y\u0131l\u0131nda t\u00f6renle a\u00e7\u0131lm\u0131\u015ft\u0131. 532 y\u0131l\u0131nda Hipodromda yap\u0131lan bir araba yar\u0131\u015f\u0131 sonucu \u00e7\u0131kan kanl\u0131 isyan on binlerce \u015fehirlinin \u00f6l\u00fcm\u00fcne ve pek \u00e7ok binan\u0131n yak\u0131lmas\u0131na sebep olmu\u015ftu. \u201cNika\u201d isyan\u0131 diye bilinen ve \u0130mparator Justinyen aleyhine geli\u015fen bu isyanda Ayasofya Kilisesi de yak\u0131lm\u0131\u015ft\u0131.<\/p>\n

\u0130syan\u0131 zorlukla bast\u0131ran \u0130mparator Justinyen \u201cAdem\u2019den beri hi\u00e7bir devirde g\u00f6r\u00fclmemi\u015f ve g\u00f6r\u00fclmeyecek<\/b>\u201d bir ibadethane yapmak i\u00e7in harekete ge\u00e7ti. \u00d6nceki bazilikan\u0131n kal\u0131nt\u0131lar\u0131n\u0131n \u00fczerine 532 y\u0131l\u0131nda yap\u0131lmaya ba\u015flanan, H\u0131ristiyanl\u0131k \u00e2leminin bu en b\u00fcy\u00fck kilisesi be\u015f y\u0131lda tamamlanarak, 537\u2019de merasimlerle a\u00e7\u0131ld\u0131. \u0130mparator hi\u00e7bir masraftan ka\u00e7\u0131nmayarak devlet hazinesini mimarlar\u0131n \u00f6n\u00fcne sa\u00e7t\u0131. (Tralles\u2019li Anthemius ile matematik\u00e7i, Miletoslu \u0130sidorus) Kubbe in\u015faat\u0131 Roma mimarisi taraf\u0131ndan geli\u015ftirilmi\u015ftir, Bazilika plan\u0131 da eski devirlerden beri tatbik edilmekte idi. Yuvarlak yap\u0131lar\u0131n \u00fczerleri \u00e7ok b\u00fcy\u00fck \u00f6l\u00e7\u00fcde kubbe ile \u00f6rt\u00fclebilmi\u015fti. Ancak Justinyen Ayasofya\u2019s\u0131ndaki gibi dikd\u00f6rtgen bir mekan ortas\u0131nda, dev \u00f6l\u00e7\u00fcde bir merkezi kubbe yap\u0131m\u0131, mimarl\u0131k tarihinde ilk kez deneniyordu. Rahiplerin koruyucu dualar\u0131 okumalar\u0131 devam ederken, \u0130mparatorlu\u011fun hemen her yerinde mevcut olan erken devir kal\u0131nt\u0131lar\u0131ndan getirtilen \u00e7ok say\u0131da ve de\u011fi\u015fik mermer par\u00e7alar\u0131, s\u00fctunlar yap\u0131da kullan\u0131ld\u0131. Sonralar\u0131 da bu dev\u015firme malzeme ve bilhassa s\u00fctunlar i\u00e7in, neye yarayaca\u011f\u0131 anla\u015f\u0131lmaz, bir s\u00fcr\u00fc orijin hikayesi uyduruldu. Justinyen devrinde Ayasofya bir zevk ve g\u00f6steri\u015f \u00fcr\u00fcn\u00fc olarak ortaya \u00e7\u0131km\u0131\u015ft\u0131. Sonraki devirlerde ise bir efsane ve sembol olarak kabul edilmi\u015ftir. Bin y\u0131l s\u00fcre ile a\u015f\u0131lamayan \u00f6l\u00e7\u00fcleri yan\u0131nda finans zorluklar\u0131 ve teknik yetersizliklerden \u00f6t\u00fcr\u00fc efsanevi g\u00f6r\u00fclm\u00fc\u015f, b\u00f6yle bir yap\u0131n\u0131n ancak kutsal kuvvetlerin yard\u0131m\u0131 ile yap\u0131labilece\u011fi zannedile gelmi\u015fti. Ayasofya bir 6yy. Bizans devri eseri olmakla beraber, \u00f6n misali olmayan, sonraki devirlerde de taklit edilmeyen Roma mimari gelene\u011fine ba\u011fl\u0131 bir \u201cDeneme\u201d dir. D\u0131\u015f ve i\u00e7 g\u00f6r\u00fcn\u00fc\u015fteki tezat ve iri kubbe Roma\u2019n\u0131n miras\u0131d\u0131r. D\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f zarif de\u011fildir, proporsiyonlara dikkat edilmemi\u015f, bir kabuk gibi yap\u0131lm\u0131\u015ft\u0131r. Bunun tersine i\u00e7 g\u00f6r\u00fcn\u00fcm saray gibi g\u00f6rkemlidir, g\u00f6z al\u0131c\u0131d\u0131r; yap\u0131, dev bir \u201c\u0130mparatorluk\u201d eseridir. A\u00e7\u0131l\u0131\u015f merasiminde heyecan\u0131na hakim olamayan \u0130mparator atlar\u0131n \u00e7ekti\u011fi arabas\u0131 ile i\u00e7eriye dalm\u0131\u015f, Tanr\u0131ya \u015f\u00fck\u00fcr ederek, S\u00fcleyman Peygambere \u00fcst\u00fcn \u00e7\u0131kt\u0131\u011f\u0131n\u0131 hayk\u0131rm\u0131\u015ft\u0131. Bazilika etraf\u0131n\u0131 \u00e7evreleyen y\u00fcksek binalar\u0131 ile b\u00fcy\u00fck bir dini merkez olarak geli\u015fmi\u015fti. Bizans \u0130mparatorlar\u0131 ile Do\u011fu H\u0131ristiyan kilisesinin y\u00fczy\u0131llar s\u00fcrecek \u00e7eki\u015fmeleri i\u00e7in sahne art\u0131k haz\u0131rd\u0131. E\u015fsiz ve \u00fcst\u00fcnl\u00fc\u011f\u00fcne ra\u011fmen yap\u0131n\u0131n hayati \u00f6nemde hatalar\u0131 vard\u0131. En \u00f6nemli mesele kubbenin irili\u011fi ve yan duvarlara yapt\u0131\u011f\u0131 bas\u0131n\u00e7 idi. B\u00f6ylesine bir kubbenin a\u011f\u0131rl\u0131\u011f\u0131n\u0131n temellere aktar\u0131lmas\u0131 i\u00e7in laz\u0131m olan mimari unsurlar o devirde hen\u00fcz tam geli\u015fmemi\u015fti. Yanlardan d\u0131\u015fa do\u011fru e\u011filen duvarlar orijinal, bas\u0131k kubbenin 558 y\u0131l\u0131nda y\u0131k\u0131lmas\u0131na \u015fahit oldular. Yap\u0131lan ikinci kubbe daha y\u00fcksek ve daha k\u00fc\u00e7\u00fck \u00e7apl\u0131 tutulmu\u015ftu. Bu kubbenin de yar\u0131ya yak\u0131n k\u0131sm\u0131 10 ve 14 yy’\u2019arda 2 defa daha \u00e7\u00f6km\u00fc\u015ft\u00fcr.<\/p>\n

Ayasofya<\/b>\u00a0her devirde hazineler dolusu sarflar yap\u0131larak ayakta tutulabilmi\u015ftir. T\u00fcrk\u2019lerin \u015fehri 1453 y\u0131l\u0131nda fethetmeleri, harap durumdaki Ayasofya\u2019n\u0131n derhal camiye \u00e7evrilerek kurtar\u0131lmas\u0131na sebep olmu\u015ftur. T\u00fcrk mimar\u0131 Koca Sinan\u2019\u0131n 16.yy.da ekledi\u011fi payanda duvarlar\u0131, 19. yy. ortas\u0131nda Mimar Fossati karde\u015flerin ve 1930\u2019dan itibaren yap\u0131lan di\u011fer restorasyonlar ve kubbenin demir ku\u015fak ile \u00e7evrilmesi \u00f6nemli tamirlerdi. 2000 li y\u0131llar\u0131n restorasyonlar\u0131, mevcut madeni portatif iskele ile daha seri yap\u0131labilecektir. Ayasofya 916 y\u0131l ba\u015f kilise ve 477 y\u0131l cami olarak, ayn\u0131 tanr\u0131ya inanan 2 de\u011fi\u015fik dinin hizmetinde olduktan sonra Atat\u00fcrk\u2019\u00fcn emri ile m\u00fcze yap\u0131lm\u0131\u015ft\u0131r. 1930-1935 y\u0131llar\u0131 aras\u0131nda ortaya \u00e7\u0131kart\u0131l\u0131p temizlenen bir k\u0131s\u0131m mozaikler Bizans’\u0131n \u00f6nemli sanat eserleri aras\u0131nda yer al\u0131rlar.Bizans ve Osmanl\u0131 d\u00f6neminin izlerini ta\u015f\u0131yan muhte\u015fem mimarisi ile \u00fclkemizin en \u00e7ok ziyaret edilen ilk \u00fc\u00e7 m\u00fczesinden biridir.<\/p>\n

Z\u0130YARET<\/b><\/h3>\n

Avlunun i\u00e7erisindeki m\u00fcze giri\u015fi, as\u0131rlar sonra yeniden kullan\u0131lmaya ba\u015flanan, bat\u0131 y\u00f6n\u00fcndeki orijinal kap\u0131d\u0131r. Giri\u015fin yan\u0131nda \u00f6nceki, ikinci binan\u0131n kal\u0131nt\u0131lar\u0131 g\u00f6r\u00fcl\u00fcr. Vaftiz olamayanlar\u0131n girebildikleri d\u0131\u015f koridor 5 kap\u0131 ile i\u00e7 koridora, buras\u0131 da 9 kap\u0131 ile kilisenin esas k\u0131sm\u0131na a\u00e7\u0131l\u0131r. Ortadaki y\u00fcksek kap\u0131 \u0130mparatorluk kap\u0131s\u0131 idi. Bunun \u00fczerindeki mozaik pano 9. yy. sonunda yap\u0131lm\u0131\u015ft\u0131r. Ortada taht \u00fczerinde oturan pantokrator \u0130sa\u2019dan bir imparator \u015fefaat istemektedir. Yanlardaki madalyonlarda Meryem Ana ve Ba\u015f Melek Gabriel\u2019in portreleri vard\u0131r. \u0130\u00e7 koridor ve yan neflerin tavan\u0131ndaki di\u011fer fig\u00fcrs\u00fcz mozaikler Justinyen devri orijinalleridir.Yap\u0131n\u0131n ana k\u0131sm\u0131nda ziyaret\u00e7iyi g\u00f6rkemli ve muazzam bir mek\u00e2n kar\u015f\u0131lar. \u0130lk ad\u0131mdan itibaren kubbenin tesiri derhal hissedilir. Sanki havaya as\u0131l\u0131 gibi durmakta ve b\u00fct\u00fcn binay\u0131 kaplamaktad\u0131r. Duvarlar ve tavanlar mermer ve mozaiklerle kapl\u0131, rengarenk bir g\u00f6r\u00fcn\u00fc\u015ftedir. Kubbe mozaiklerinin 3 de\u011fi\u015fik renk tonu, yap\u0131lan 3 de\u011fi\u015fik tamirat devrini g\u00f6sterir. Y\u00fcksekli\u011fi ve \u00e7ap\u0131 ile d\u00fcnyan\u0131n en b\u00fcy\u00fck kubbesi iken g\u00fcn\u00fcm\u00fczde de say\u0131l\u0131 b\u00fcy\u00fck kubbelerindedir. Yap\u0131lan tamiratlardan dolay\u0131 kubbe tam bir \u00e7ember de\u011fildir. Kuzey \u2013 G\u00fcney \u00e7ap\u0131 31,87 m.dir. Do\u011fu \u2013 Bat\u0131 \u00e7ap\u0131 30,87 m. olup y\u00fcksekli\u011fi 55,60 m.dir. Kubbenin dayand\u0131\u011f\u0131 4 pandantifte, 4 kanatl\u0131 melek fig\u00fcr\u00fc, y\u00fczleri kapat\u0131lm\u0131\u015f olarak yer al\u0131r.<\/p>\n

Dikd\u00f6rtgen, geni\u015f orta mekan\u0131n s\u00fctunlarla ayr\u0131lm\u0131\u015f 2 yan\u0131nda, karanl\u0131k neftler uzan\u0131r. Orta mekan 74.67 x 69.80 m.dir. Alt katta ve galerilerde toplam 107 s\u00fctun vard\u0131r. Ayasofya s\u00fctun ba\u015fl\u0131klar\u0131 t\u00fcm yap\u0131n\u0131n en karakteristik ve belirgin, klasik, 6. yy. Bizans s\u00fcsleme \u00f6rnekleridir. O \u00e7a\u011fa ait bir \u00f6zellik olan derin oyulmu\u015f mermerler g\u00fczel bir \u0131\u015f\u0131k, g\u00f6lge oyunu ortaya serer. Ortalar\u0131nda \u0130mparator monogamlar\u0131 bulunur. K\u00f6\u015felerde yer alan antik porfir s\u00fctunlar, ye\u015fil Selanik mermerinden yap\u0131lma orta s\u00fctunlar ve t\u00fcm\u00fcn\u00fcn beyaz mermerden yap\u0131lma, zengin i\u015flemelerle s\u00fcsl\u00fc ba\u015fl\u0131klar\u0131 insan\u0131 eski g\u00fcnlere g\u00f6t\u00fcr\u00fcr. Ayasofya\u2019y\u0131 bo\u015f bir m\u00fcze g\u00f6r\u00fcn\u00fcm\u00fcnden s\u0131y\u0131r\u0131p bazilika veya cami olarak kullan\u0131ld\u0131\u011f\u0131, g\u00f6steri\u015fli, mistik, de\u011fi\u015fik, eski orijinal g\u00f6r\u00fcn\u00fcm\u00fcnde hayal etmek laz\u0131md\u0131r. B\u00fcy\u00fck bir \u0130mparatorlu\u011fun ba\u015f kilisesi oldu\u011fu devirlerde apsis \u00f6n\u00fcnde yer alan b\u00f6lme, altar, ambon ve di\u011fer merasim gere\u00e7leri alt\u0131n ve g\u00fcm\u00fc\u015f levhalarla kapl\u0131, fildi\u015fi ve m\u00fccevherlerle s\u00fcsl\u00fc idiler. Baz\u0131 kap\u0131lar bile b\u00f6ylesine k\u0131ymetli madenlerle kapl\u0131 idi. Latin istilas\u0131 b\u00fct\u00fcn bunlar\u0131 ve di\u011fer baz\u0131 mimari par\u00e7alar\u0131 s\u00f6kerek Avrupa\u2019ya ta\u015f\u0131m\u0131\u015ft\u0131.Apsis yar\u0131 kubbesinde kuca\u011f\u0131nda \u00e7ocuk \u0130sa ile Meryem Ana, sa\u011f yanda da Ba\u015f Melek mozaikleri bulunmaktad\u0131r. Kar\u015f\u0131 duvardaki bir ba\u015fka melek fig\u00fcr\u00fc tahrip olmu\u015ftur.<\/p>\n

Galeriler seviyesinde duvarlara as\u0131l\u0131, deri \u00fczerine yap\u0131lm\u0131\u015f 7.5 m. \u00e7ap\u0131ndaki b\u00fcy\u00fck diskler ve kubbedeki yaz\u0131t, eserin cami olarak kullan\u0131ld\u0131\u011f\u0131n\u0131 hat\u0131rlat\u0131rlar. 19. yy. ortalar\u0131nda d\u00f6nemin b\u00fcy\u00fck ustalar\u0131 taraf\u0131ndan yaz\u0131lan bu kaligrafiler birer \u015faheserdir. Yuvarlak tablolarda All\u00e2h, Hz. Muhammed, 4 Halife ve Hasan-H\u00fcseyin isimleri yaz\u0131l\u0131d\u0131r. D\u00f6neminin g\u00fczel \u00f6rnekleri mihrap \u00fcst\u00fc vitraylar, apsis i\u00e7ine yerle\u015ftirilmi\u015f cami mihrab\u0131, yan\u0131ndaki minber ve mevlithanlar balkonu T\u00fcrk d\u00f6nemi ekleridir. Zeminde yer alan, renkli mermer par\u00e7alar\u0131ndan yap\u0131lm\u0131\u015f kare k\u0131s\u0131m, belki 12. yy.da ilave edilmi\u015f, \u0130mparatorlar\u0131n ta\u00e7 giydi\u011fi mahaldir.<\/p>\n

Ayasofya C\u00e2mii<\/b><\/h3>\n

\u00dcst\u00fcn kaliteli mermerden yap\u0131lm\u0131\u015f iki k\u00fcresel iri kap orta mek\u00e2n\u0131n giri\u015f yanlar\u0131nda yer al\u0131r. Antik orijinli bu kaplar ge\u00e7 16. yy\u2019da Bergama\u2019dan getirtilmi\u015ftir. Binan\u0131n kuzey k\u00f6\u015fesinde \u201cterleyen s\u00fctun<\/b>\u201d bulunur. Alt k\u0131sm\u0131 bronz bir ku\u015fak ile \u00e7evrilmi\u015f, parmak sokulabilen bir dilek deli\u011fi olan s\u00fctun hakk\u0131nda bolca masal ve efsane vard\u0131r. Binay\u0131 d\u0131\u015fardan destekleyen payandalar\u0131n kuzeydeki ilkinin i\u00e7erisi rampad\u0131r. \u00dcst galerilere bu rampa ile \u00e7\u0131k\u0131l\u0131r. Binay\u0131 \u00fc\u00e7 y\u00f6nden ku\u015fatan galerilerden muhte\u015fem i\u00e7 mekan bamba\u015fka g\u00f6r\u00fcl\u00fcr. \u0130mparatorluk kad\u0131nlar\u0131 ve kilise toplant\u0131lar\u0131 i\u00e7in ayr\u0131lm\u0131\u015f k\u0131s\u0131mlar\u0131 vard\u0131r. Kuzey kanatta bir, g\u00fcney kanatta da 3\u2019l\u00fc fig\u00fcrler halinde 3 mozaik pano bulunur. G\u00fcney galeride, yan\u0131ndaki pencereden giren g\u00fcn \u0131\u015f\u0131\u011f\u0131 alt\u0131nda, Bizans mozaik sanat\u0131n\u0131n \u015faheser panosu yer al\u0131r. Buradaki konu, \u00e7ok geni\u015f son mahkeme sahnesinin tam ortas\u0131nda bulunan; \u201cDiesis<\/b>\u201d diye bilinen, \u00fc\u00e7l\u00fc fig\u00fcrd\u00fcr. Ortada \u0130sa onun sa\u011f\u0131nda Meryem, solunda ise Hz. Yahya yer al\u0131r. De\u011fi\u015fik dizili arka fon mozaikleri, fig\u00fcrlerin g\u00fczelli\u011fini daha da art\u0131r\u0131r, y\u00fcz ifadeleri fevk\u00e2lede realisttir.<\/p>\n

G\u00fcney galeri dibindeki 12. yy. mozaik panoda, Meryem Ana ve \u00e7ocuk \u0130sa, \u0130mparator II. Komnenus, \u0130mparatori\u00e7e \u0130rene, yan duvar\u0131nda hasta Prens Aleksios yer al\u0131r. Takdim edilen rulo kiliseye ba\u011f\u0131\u015flar\u0131, deri kese ise alt\u0131n yard\u0131m\u0131n\u0131 belirtmektedir. Macar as\u0131ll\u0131 imparatori\u00e7enin \u0131rk \u00f6zellikleri; a\u00e7\u0131k ten ve a\u00e7\u0131k sa\u00e7 rengi belirgindir. Buradaki ikinci pano, tahta oturmu\u015f \u0130sa, yan\u0131nda \u0130mparatori\u00e7e Zoe ve \u00fc\u00e7\u00fcnc\u00fc kocas\u0131 Konstantin Monomakhos’dur, Konstantin\u2019nin kafas\u0131 ve \u00fcst\u00fcndeki yaz\u0131t kaz\u0131n\u0131p, tekrar yap\u0131lm\u0131\u015ft\u0131r. Orijinal mozaik Zoe\u2019nin ilk kocas\u0131na aitti. Bu panoda \u0130mparatorluk ailesinin kiliseye \u015f\u00fckran ve ba\u011f\u0131\u015flar\u0131 sembolize edilmektedir.\u0130\u00e7 koridordan m\u00fczeyi terk ederken g\u00f6r\u00fclen b\u00fcy\u00fck bir mozaik pano 10. yy\u2019dan kalmad\u0131r. Bozuk perspektifli fig\u00fcrler: Ortada Meryem Ana ve \u00e7ocuk \u0130sa, yanlarda ise \u015fehir maketini sunan B\u00fcy\u00fck Konstantin ile Ayasofya maketini sunan Justinyen’dir. \u00c7\u0131k\u0131\u015fta k\u0131smen zemine g\u00f6m\u00fcl\u00fc M.\u00d6. 2. yy\u2019dan kalma muazzam bronz kap\u0131lar Tarsustan, belki de bir pagan mabetinden getirtilerek, burada tekrar kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

M\u00fcze bah\u00e7esinde de\u011fi\u015fik devirlerde in\u015fa edilmi\u015f T\u00fcrk Sanat eserleri bulunur. Bunlar baz\u0131 sultanlar\u0131n t\u00fcrbeleri, okul, saat ayar evi ve \u015fad\u0131rvand\u0131r. Do\u011fu cephesi minareleri 15, bat\u0131dakiler de 16. yy\u2019da eklenmi\u015flerdir.<\/p>\n

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\r\n \r\n \r\n Ayasofya Nas\u0131l M\u00fcze Oldu? <\/a>\r\n\r\n <\/div>\r\n
\r\n \r\n \r\n Ayasofya Camii’nin Tarihi <\/a>\r\n\r\n <\/div>\r\n
\r\n \r\n \r\n Mimar Sinan Kimdir? Mimar Sinan Hayat\u0131 <\/a>\r\n\r\n <\/div>\r\n
\r\n \r\n \r\n Barok Mimarisi <\/a>\r\n\r\n <\/div>\r\n
\r\n \r\n \r\n Osmanl\u0131 Mimarisinin Yap\u0131s\u0131 ve \u00d6zellikleri <\/a>\r\n\r\n <\/div>\r\n
\r\n \r\n \r\n Avrupa\u2019da Gotik, R\u00f6nesans ve Barok Mimarileri <\/a>\r\n\r\n <\/div>\r\n \r\n <\/div>\r\n\r\n