Barok mimarisi,R\u00f6nesanas mimarisinin geometrik,sade d\u00fczenine kar\u015f\u0131 \u00e7\u0131km\u0131\u015f karma\u015f\u0131k ve bireysel maniyerist bir tasar\u0131m anlay\u0131\u015f mistik bir ortam yaratma iste\u011fi olan d\u00f6nemdir.Barok kelimesi \u015fekilsiz inciler,rokoko kelimesi ise yapay ma\u011faralar anlam\u0131na gelen kelimelerden t\u00fcretilmi\u015ftir.<\/p>\n
Mimari \u00d6zellikler:<\/strong>Genel \u00f6zelliklerinin yans\u0131t\u0131ld\u0131\u011f\u0131 kilise d\u0131\u015f cephe tasar\u0131m\u0131nda g\u00f6r\u00fcl\u00fcr,bunlar Giri\u015f cephesinde serbest\u00e7e duran 2 \u015ferli ya da 3 erli kolonlar,mimari elemanlar\u0131n yan\u0131 s\u0131ra heykel fig\u00fcrleri ve a\u011f\u0131r s\u00fcs donat\u0131yla elde edilen dinamik cephe g\u00f6r\u00fcnt\u00fcs\u00fc,ta\u015f\u0131y\u0131c\u0131 sistemin a\u011f\u0131r s\u00fcs elemanlar\u0131yla gizlenmesi gibi \u00f6zellikler g\u00f6sterir.\u00a0 \u0130\u00e7 mekan:<\/strong>Uzunlamas\u0131na yada elips bir merkezi plan,kavisli y\u00fczeyler,devaml\u0131l\u0131\u011f\u0131 ve aralar\u0131nda ritmik bir d\u00fczen olan yap\u0131 \u015fekilleri kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n Peyzaj ve Kentsel Yerle\u015fim \u00d6zellikleri:<\/strong><\/p>\n 17Yy.da tarihte ilk kez do\u011fal \u00e7evrenin bi\u00e7imlendirilmi\u015f peyzaja d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc projeler Avrupa ba\u015fkentlerin de g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n \u00d6rne\u011fin, Paris \u00e7evresinin 1740 tarihli haritas\u0131, bu kentin i\u00e7inde etraf\u0131na merkezile\u015fmi\u015f bir peyzaj alan\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fcn kan\u0131tlar\u0131n\u0131 ta\u015f\u0131maktad\u0131r. Bu d\u00f6neme damga vuran politik geli\u015fmeler g\u00f6z \u00f6n\u00fcne al\u0131n\u0131rsa, s\u00f6z konusu geli\u015fmenin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde, bu kenti t\u00fcm \u00fclkenin merkezi konumuna getiren politik s\u00fcre\u00e7ten etkilendi\u011fi ortaya \u00e7\u0131kmaktad\u0131r.<\/p>\n